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Pet TV

MediaGuardian.co.uk | Broadcast | BBC to launch Pet TV

The BBC are to launch an interactive TV station for pets. The service will consist of various images and clips from television programs all looped round. So you can stick your dog, cat (yeah, really likely), fish tank etc. in front of your TV and see what happens.

It may also have cult appeal. When I lived in Maastricht in The Netherlands, one of the local TV stations had free air time before it broadcast. It used that airtime to broadcast various movies of a car travelling around Maastricht. You got the driver’s view, and yes, it did pass my flat! But, it got more weird: One movie was taken from a camera mounted on a trolley at the Maastricht University Hospital, so you could see all the doctors and patients doing there stuff whilst the trolley tootled round the wards. Amazing.

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Charities and Scams

As the owner of a small business I am often telephoned by companies who want to sell me their services, products, or to put me on their mailing list. I have no problem with that. However, I am inundated with phone calls from companies representing charities who want the company to advertise on their wall chart, year planner, diary or other ephemeral publication. The style of these phone calls varies and most (over 90% in my experience) are scams. I highlight below the various types of phone call:

  1. The "Hello, I’m Fred from CharityX / PublisherY.." phone call. This is usually a genuine phone call. The caller will explain that they are producing a publication in your area and are selling advertising space. The next phone call will be a form of Call 4.
  2. The "Hello, can I ask you a few questions.." phone call. This is a scam phone call. The caller asks questions about the business and would you like to ‘put your name down’ for advertising in a publication. If you do, then you are likely to then get your next phone call from the same company in the form of Call 4.
  3. The "Hello, can I speak to the person that deals with your advertising.." phone call. This is usually a scam phone call. It’s a variant of Call 2. I usually state that we don’t advertise. That easily ends the call.
  4. The "Hello , thank you for contributing to Charity X.." phone call. This is a scam phone call. Most of the calls you will get will be all friendly, with the exception of those callers who are poorly trained in the technique. The idea behind this one is to make you believe that you previously agreed to advertise or contribute, that’s why they know you, ask you how your weekend was etc. When questioned, callers will say that they phoned a few months ago – long enough for most people to forget whether they did or did not advertise. If you are not careful, by the end of the phone call you will have agreed to advertise. Some callers of Call 4 always assume their information is correct. The best way to deal with this is to deny it. Repeatedly.
  5. The "Hello , thank you for contributing to CharityX. I’m not asking for any more money.." phone call. This is a scam phone call. It’s a variant of Call 4.

The purpose of all of these phone calls is for you to agree to advertise or contribute. Most of the calls come from publishers rather than charities, and in my experience checking with charities is a waste of time. None of my checks have ever led to a response from the given charity, including some well known charities. If you agree to advertise, the caller will ask you not to renege on the agreement because it increases their overheads. Furthermore, to get the "ahh" factor, all the charities involved are related in one way or another to work with children. I’ve never had someone phone up regarding a bowel cancer wallchart.

The result of all of this is that I now keep my own "scam log" for such phone calls. I’ve found I get between 2 and 4 a month, and the caller can flounder when you let them know that you log all charity calls.

So, how does this affect me and my view of charities? The bottom line is whilst I once contributed occasionally to charities, I will no longer have anything to do with any of them. Genuine or not. Whether in this form or through traditional campaigning. It’s not easy to tell which telephone approaches are genuine and if the charities themselves don’t respond then they’re not exactly helping matters.

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iTunes 4.5 Released

Apple released iTunes 4.5 late yesterday. They’ve also updated the iPod firmware to ‘take advantage of new features’ and improve playback performance.

Included in this version are following additional features:

  • iMix: the ability to publish playlists to the world; to send it to your friends, and have others rate it.
  • Support for unprotected Windows Media Files.
  • The inclusion of a lossless encoder which is half the size usually taken up by raw AIFF.
  • Party Shuffle: Shuffles songs from library or playlists which can be added to or deleted on the fly.
  • Print Library or Playlist: As a list or as a jewel case. It can include images so that you can have nice covers too.
  • A free downloadable single every Tuesday via iTMS (the iTunes Music Store).
  • iTMS: Watch music videos for selected songs.
  • iTMS: Radio charts. Appears to be US only.
  • iTMS: Wish Lists.

Apple have also modified their Digital Rights Management for the iTMS: You can now only burn 7 CDs of the same playlist (used to be 10), but you can now authorise playback on 5 computers (up from 3).

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Reversing Outsourcing

According to a recent mailshot I received from an organisation touting itself as a networked support mechanism for the commercialisation of research:

Increasingly, employees are seeking more flexibility in their working hours and work location. The reasons for this include the growth of single parent families, the problems of arranging childcare, the difficulty and cost of commuting and for many people the desire to achieve a better balance between work commitments and family responsibilities.

Many UK white collar jobs, including those of call centre workers, are being lost as major financial institutions and other organisations seek cost savings by outsourcing work to countries such as India and Malaysia. This is a major threat to the UK economy.

Businesses generally are feeling downward pressure on prices and are seeking areas of cost reduction.

New ways of working which take advantage of new technologies such as broadband and IP telephony to allow employees to work professionally and productively, regardless of their physical location, offer a solution to the above issues.

Oh, please. Since when has broadband and IP telephony offered a solution to outsourcing to other countries? These are technologies, not solutions. We have broadband at our office. We also do a lot of work from our own homes, whenever we feel like it. Is it cheaper to come to us than to go to India? No. Why? Because these other countries have a lower labour cost. As for IP telephony: well yes it could help, if you had masses of staff all hooked up to terabit broadband. Never heard of it myself.

Things that really help reverse outsourcing are traditional things about good business. Give customers a better level of service; promote the fact that all added value operations are handled in-house; nuture your customers; make them feel wanted and valued; invest in career development for existing staff; improve the way in which work is managed and tracked…

So what about the age old issue of outsourcing call centres. Well, recent indications are that it can be less effective than having call centres in your country of origin. See Dell’s experience. They should know.

Job done.

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Free Identity

There’s much talk in the UK media at present about the proposed introduction of identity cards. They’re touted as being useful for preventing illegal immigration and terrorism. Civil liberties groups claim that they will be not be useful and that they impinge on the rights and freedom of individuals. I’m not going to comment on their concerns, there is clearly much still to be discussed. However, I am increasingly amazed by vox pop and media concerns about who is to pay for the introduction of these cards, which by 2013 will be in the hands of 80% of the economically active population.

Some demand that the government should pay for them, others think that individuals should pay. So why do I get all uppity about this? Because we always pay. If the government pays for any policy, it either has to borrow more (which we have to pay back later), or it has to increase taxes (which we pay for sooner), or it has to allocate the money from existing expenditure (which we pay for ultimately either in reduced services, or in the fact that reducing expenditure in some governments doesn’t ultimately lead to reduced taxes).

Payment is a non-issue. Are people so ignorant that they do not realise this?

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Who needs educating?

Due to the increase in the numbers of students wanting to go to university it seems that some universities are putting into place various ways of weeding out numbers from over-subscribed courses. One university is actually picking students by random from those who meet the grade requirements. There’s also talk of introducing an A+ grade to live alongside the traditional gradings of ‘A’ levels in England and Wales.

It has been a long standing objective of the current government to increase the range of students that attend university, with more coming from poorer backgrounds. The trouble with the introduction of an A+ grade is that it is estimated that there will be six times as many students from independent schools who achieve this qualification, compared to those from comprehensive schools. This is all of course down to a lack of funding for further education. Increased funding would allow for larger yearly intakes, thus the current entrance requirements could be sustained.

But it looks like additional funding is not going to be forthcoming. The introduction of (post-graduation) tuition fees only makes tiny inroads into the total funding required to fulfill the government’s targets. So there seems to be a lack of joined-up thinking on tertiary education. On one hand the government wants more people to attend university; on the other hand there isn’t the funding to permit this. Sandwiched in between are the universities who have to find their own ways of getting additional funds or they have to be more choosy on who to accept on courses. The latter of course flies in the face of the government’s objectives for getting more people to university.

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Kristin Hersh: The Grotto

Number 6 of 2003 — Kristin Hersh: The Grotto

Kristin Hersh’s solo life (her ‘day job’ as she calls it) started when Throwing Muses were still together as a band. She released Hips and Makers on 24 January 1994. The same day that Underworld released Dubnobasswithmyheadman. I know this because I remember buying them together, or rather getting a friend to buy them for me, who then delivered them to me at the White Hart pub in Chessington. It was my birthday that week. Hips and Makers was just Kristin, with her guitars, and the occasional cello. It was stunning. Until last year, she had released four other solo albums, including the mail-order only Murder, Misery and then Goodnight which is an album of traditional but scary Appalachian folk songs, arranged by Kristin. The Grotto is her fifth solo album.

The Grotto is an area in Providence, Rhode Island. Kristin and her family moved there for six months to be with her mother after Kristin’s step-father died. Kristin says "I was worried that my mother wouldn’t make it through, so we moved into The Grotto, to bring her the babies and sort of bring her back to life. It felt like sleep walking at the time. And then when I got pregnant… death and life at the same time." Whilst this isn’t essential to understand The Grotto, it helps. The Grotto is a deeply personal piece of work, full of small insights into Kristin’s life and how she cannot bear to be without her family. She once remarked to her husband Billy "these songs seem to be about how I can’t leave you".

For this album, Kristin was joined by Howe Gelb (from Giant Sand) on piano, and Andrew Bird (Bowl of Fire, ex-Squirrel Nut Zippers) on violin. All the guitars were played by Kristin. It’s probably her most ambient, spacious album. Howe seems to caress his pianos more than play them. Splashes of notes here and there. Hammered notes, strummed strings. Andrew’s violin tends to sweep around songs rather than playing with them or against them. It sounds very spontaneous. Both Howe and Andrew have toured with Kristin as part of her solo live line-up. It shows. The album was itself recorded over three consecutive days, then mixed over another set of three days. I’ll just pick out a few notable tracks from this album, otherwise I’d go on for pages.

So, The Grotto starts off with Sno Cat. It’s about the aftermath of an argument between Billy and Kristin. Kristin couldn’t sleep so she went out and started driving around, and she sees a man on a Sno Cat. The opening lines are "A man made of butterfat / Careening around on a Sno-Cat". You wonder what it’s about. It’s only on the last verse that it all becomes clear. She "decided to forgive and forget". All is well chez-Hersh. Kristin is accompanied on this song by Howe although only with a few throwaway piano notes as a coda. It works well though.

Deep Wilson is a song that will puzzle me and enchant me for years. As far as I can deduce, it documents a night time tryst probably when Kristin was a teenager. The chorus is majestic: a chord change, the strings take off and then a piano comes in. "Knees pressed against the leather couch / I couldn’t find my bra and / You were so familiar". Kristin has never written her lyrics down, nor her music. She rarely explains what her songs are about — her excuse is that she doesn’t know anyway. We can make them whatever we want them to be.

The Grotto has been criticised for not having much in the way of Songs. Much of the songs appear to be all verse, no choruses and in some cases they appear to end arbitrarily. Casual listeners won’t realise that this album is as much about the words as it is the music. When Kristin’s finished what she has to say, the song ends. It’s as simple as that. True, choruses are rare, but the musical themes repeat as choruses would do. So you’ll find that there is harmony. Another issue is that of rhyme and delivery of the lyrics. Kristin’s never been one to slavishly rhyme. She merely puts what she has to say to music. There are recurring themes (snakes in particular) and playful lyrical twists which have always been in her music. The delivery of the lyrics is used as the method of keeping them in touch and in time with the music. This means that you have to listen to the songs, otherwise they just appear skewed and peculiar.

I’ll skip over Snake Oil. It’s a fine song which seems to continue the themes picked up on Deep Wilson. I could be wrong. The Grotto is an extremely ambiguous album.

Vanishing Twin begins with a gorgeous piano intro which then drops to Kristin’s familiar round and round guitar plucking: walking chords picked out note by note, with a separate sequence of notes for a bassline. The chord change is the evidence of the end of a verse, then reverts to the next verse. Howe does some piano bashing towards the end, but in the nicest possible way.

Vitamins V uses the same chord change trick as an intro to a chorus, but this time there is a chorus "This lukewarm catastrophe / Is a recipe for rebirth / Or so I overheard". Gentle music, hard lyrics. The juxtaposition works perfectly: "I’m still staring through the fish tank / And a fist full Valium". After the second chorus, the music picks up, and Kristin voice is raised. Strummed piano strings accompany the last couple of verses. Once Kristin used to scream her anger and whilst she still raises her voice, it’s now creamy and warm – all the sharp edges have been worn away.

Arnica Montana was probably a pop-song in a previous life. It’s a blast of off-kilter improvised bluesy piano guitar and violin. It builds and builds from a fairly sparse arrangement to an all out stomp. My only disappointment is that it’s not Kristin playing the piano. She can play piano, as shown on Walking in the Dark from Throwing Muses’ second album House Tornado. It’s my favourite track on the album at the moment. Kristin says it’s about being on tour. Billy does the driving and Kristin looks after the pets, teaches the kids and does the cooking. They really do bring their whole family on tour.

If you want further evidence of a master (mistress?) of her art, look no further than Milk Street. This track starts out with an entire instrumental verse and chorus. You think it’s going to be an instrumental. Then half way into the second verse, Kristin starts singing: "You are good / You are kind / You are drunk all the time / But never drunk enough". She’s a funny woman. But later: "As you’re trying to shield / Your glass newborn from the dodgeballs / And aching for children / That you have never seen". She can be terribly serious too.

The album closes with Ether. A song that’s typical of the album. It’s very mournful and it’s this feeling that I’m left with after listening to it. An album full of little pieces of life, small anecdotes and minor tragedies. An album that you won’t want to listen to continuously – it’s too personal for that, too emotionally involving. I just dig it out every couple of months so it can cut me into little pieces and put me back together again all shiny and new.

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Ghost Town

Elena is a Ukrainian who has a love of motorcycles. She has a web page about her Kawasaki ZZR-1100 and what’s been customised on it. It currently kicks out 147bhp. So, why is this on my blog? Well, she rides her bike through a deserted town that she calls Ghost Town. It has no traffic lights, no people, no police, just vegetation. She can go as fast as she wants and providing she doesn’t hit the occasional chicken she’s okay. When she goes on these trips she always carries a geiger counter with her.

Read this awesome photo journal to find out why.

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