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GTD Invoicing

I’m really bad a making notes of things we need to invoice people for. Whilst the cricketers were at lunch I decided to write another little application to work with my Backpack account. This allows me to e-mail or update one page that contains all the things we need to invoice.

Now, I could have set aside a page in Basecamp for this purpose, but then I have to do all the adding up. Or we could keep a record for each project or client, but then I have to remember to root through all those things before I prepare invoices.

So I now have an e-mail address for a page on Backpack.

E-mails are of the format:
Client name: hours_or_money_to_invoice optional_description

e.g.:

  • Fred Smith: 1.5h Update Website
  • Joe Bloggs Ltd: £10 Help with Network

There’s a link on that page that updates the page body to summarise what’s due to be invoiced, all added up and sorted by client. E-mails to that page get converted into dated list items so I can check them off when invoiced.

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43 Folders: More

Little bits of fiddling around with my Backpack application in between watching cricket, doing some work and getting my Tesco’s order. What’s new?

I’ve just added simple recurring todos to my little Backpack application. Daily, weekly, monthly and yearly ones now recreate themselves on the appropriate day page.

These are identified by simple prefixes on their titles, like [RW] for a weekly recurring task. If they’re not done on that day, they roll themselves over to the current day along with another annotation indicating when they should have been done.

I’ve added a general notes page which I can e-mail things to. I’ve named it ’ Notes’ with a leading space, so it appears at the top of my page list.

I’ve also added a GTD Action page, which I can e-mail stuff to – mainly todos and notes. These get moved to today’s page whenever I visit my home page.

You might ask why I’m adding this functionality – couldn’t I use some other application? Well, yes, I could, but the beauty of this solution is it’s simple. I don’t need to learn a new GUI, and there aren’t a hundred features to get bogged down in. Plus, if I need something extra or special, I can just write something to do it. And what’s more important is it works exactly how I work.

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43 Folders with Backpack

43 Folders is a great way of keeping track of the things you need to do. You simply have 31 numbered folders – one for each day of the current month, plus 12 other folders for the months of the year. The numbered folders are used for the upcoming 31 days’ work.

To use 43 Folders you drop things into the respective date that you have to do something and at the start of each day you look in the current date’s folder and pick up the things to do.

Now, I’m a getting a little lazy keeping up to date. When I’m particularly busy, my 43 Folders don’t get reviewed regularly. So I decided to use Backpack to help me along:

I have one page for each of the following 31 days. For the purpose of 43 Folders, the useful content of each page is separated into a freeform body, a list (essentially a todo list), and any number of notes.

Using the API, I’ve written a simple web application that keeps these 43 Folders up to date. It does this by:

  • Rolling over the body text of previous days’ to today’s page;
  • Rolling over incomplete todos to today’s page;
  • Rolling over the notes to today’s page;
  • Creating appropriate new pages to ensure I’m still 31 days ahead.

Simple session management ensures that this housekeeping is only done once per day, and after the housekeeping is done I get redirected to today’s page. This web application is now my home page.

Each page of Backpack shows a list of all the pages you have, listed alphabetically, so the titles of these 43 Folders pages are like this: 2005-08-26, Friday (Aug) which means I can easily navigate to other days.

Next steps:

  • Add Month pages and rollover their content into today’s page
  • Provide an archive for completed todos

There’s obviously other scope: special annotations to the titles of todos or notes could mean certain things, and there’s great potential for integration with Basecamp once it’s API is published.

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Emm’s New Band

Emm Gryner is in a new band, which she’s not saying much about at present. Except that she’s playing bass. She’s also working on two new albums for next year which complement each other, although Emm says they compliment each other. Still, I can’t play bass, guitar, piano, woodwind, or sing, or write songs, so I forgive her.

And the fab Songs of Love and Death is being released in Ireland next month. Which is kind of ironic given that it’s an album of covers of songs by Irish musicians and I have it already. But then, I did buy it direct from Canada, and you can’t get it from Amazon? So maybe it’s not ironic. Just call me Alanis. Oh look, another Canadian connection.

Talking of which – what’s with this Jagged Little Pill Acoustic CD? What next? Jagged Little Pill With The Mix On The Drums Turned Up Extra Loud? Catch my drift?

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No Waste

A friend emptied my waste bin in my office yesterday whilst I was away. Spooky, but nice. And he followed the sensible rule that if it ain’t in the bin, it ain’t rubbish. Mind you, only I can distinguish between rubbish and non-rubbish in my office. So time to fill up my bin again.

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Sarah Slean: Me and Jerome

Another Canadian artist. Yawn. I’m getting predictable.

This track, unlike much of it’s predecessors from the Sarah Slean pseudo-compilation-intro-can’t-buy-anything-but-this-on-iTunes EP sounds so much like Tori Amos in piano style. Perhaps less elaborate, but still tuneworthy. Fortunately, all her stuff is available on Maple Music.

She also has a blog, but updates it only a little more regularly than I clean my kitchen. And, whereas Emm Gryner’s journal makes me go ‘Yeah! Music!’, Sarah’s just makes me want to grow a beard and scratch it.

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Weekend

I don’t usually write about what I get up to at the weekend. But this weekend was especially good, in lots of little ways.

Saturday was spent adding a new feature to one of our client’s website, which went entirely to schedule. In the evening it was steak and chips, lots of CSI, Chianti and chocolates. A great combination. Sunday was spent doing our monthly accounts; watching the inaugural F1 Turkish GP and then drafting the home page of our new corporate website.

I’m currently recording the di.fm Leipzig Progression Night, which is six hours of trance. Judging by the comments on the forum, it’s all a bit chilled-out at present.

This evening will probably be more of the same as Saturday evening.

I still haven’t cleaned the house for a couple of weeks. My kitchen needs a bit of a clean. My excuse is that I need an electrician to put in three new electrical sockets, and I have a painter due to paint the walls and ceiling. So there’s no point getting tidy, clean and organised in the kitchen, is there?

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Venus Hum: Big Beautiful Sky

Number 8 of 2004 — Venus Hum: Big Beautiful Sky

Venus Hum: Big Beautiful Sky

I had this idea that when I was in Canada in May this year, I’d have plenty of time and inclination to complete my top 10 albums of 2004. Unfortunately that great plan never worked out, so I’m sat here on a Sunday early evening, with the Inverness rain pouring down outside.

Venus Hum were one of the first artists I discovered through the iTunes Music Store. Consisting of vocalist Annette Strean and two other guys Kip Kupin and Tony Miracle, they formed in 1999 and judging from their stylistic and musical influences: Kate Bush, keyboards and Depeché Mode respectively, they sound exactly like what you might expect them to. Especially when you consider they were mentored by Larry Tee. This is their full-length debut which was released in 2003.

“Some of my favourite colours in the world / Beat against my eyelids with the blues of green hummingbirds / Some of my favourite colours in the world / Beat against my eyelids with the reds of pink hummingbirds” (Hummingbirds)

Soul Sloshing sums up their quirky yet danceable nature, which could almost be Björk circa Big Time Sensuality, though with a more leftfield musical arrangement. Sonic Boom is similarly pixie-lated. Wordless May starts off ambient folk with synth pads then it all drops away apart from some electro percussion and Annette’s vocals. Later there are more of the synth pads and violins. A song that goes happily from A to B, but never quite in the way you think it should. Which sums up the whole album. It is distinctly individual, and whilst clearly influenced by other artists, it is never obvious or clichéd.

For example, Beautiful Spain comes on like a 60s road race soundtrack, the opening to a James Bond movie probably. Then there’s this gypsy violin break. Where did that come from? In fact, where did the whole of this song come from?

Then there’s the lyrics. I’m quite sure there is some logic to them. But aside from a couple of songs, and individual couplets, there are plenty of missing links. On The Bells however Annette sings about bells. It’s all bells. Bells. Lots of them. Bells. Bells. And we’re heading towards Jane Siberry territory before everything turns into a rather delicious string and synth laden anthem. There’s pure joy in Annette’s lyrics:

“Wading in a sea of lilacs / Praise you in a shroud of violets / Dew is resting on my eyelids / God is smiling now / Wading in a sea of lilacs / Praise you in a shroud of violets / Honey-running through me” (Honey)

Honey is all electro-ballad which then soars off into the sky with swirling pads and great percussion.

In Tori Amos’ book Piece by Piece, she writes about how she constructs songs in such a way to reach a pinnacle of maybe a couple of bars. The rest of the song is the build up, the foundation. I understand this when listening to this album in particular. It’s full of little ‘wow’ bits, with an integrity and individuality that makes it rather endearing.

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