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Almost all players

MediaGuardian has an analysis of the Microsoft and BBC Memorandum of Understanding, erroneously bundling it all into Web 2.0, which of course, it isn’t.

It concludes with a remark indicating that the BBC’s rivals might not like this because it could be seen as the BBC taking advantage of their position in order to dominate the UK market.

This might well be the case, but with the technology available today, there’s nothing stopping anyone taking a lead. You don’t need Microsoft or to be as omnipotent as the BBC.

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All Players

According to MediaGuardian, the BBC has signed a Memorandum of Understanding with Microsoft so that both “companies can explore opportunities for the delivery and consumption of BBC content and the evolution of next-generation broadcasting”.

Ashley Highfield, BBC director of new media said “The BBC needs to work with all players in this space to make sure our programmes and content are enjoyed by the widest possible audience, without always having to come to bbc.co.uk to find it”.

Here are some ideas on how to do this:

  • Move all current internet streams away from RealPlayer and onto Quicktime.
  • Finish Project Jupiter, or at least make it reliable.
  • Expose the functionality of Project Jupiter through a public API.
  • Promote the Open Source and Backstage projects, perhaps congregating them and migrating them to Google Code.
  • Drop the BBC internet Media Player project, and signup with other on demand services, such as the iTunes Store. Dates, times and schedules will become increasingly unimportant, because subscription services will remind consumers (or deliver direct) content when it becomes available. And that means no Autumn schedule, or any other period for that matter. Just commission it and deliver it, because time will be irrelevant.
  • Duplicate all DAB content as MP3 streams.
  • Investigate the possibilities of archiving and delivering content through Amazon S3 and ECC.
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Sorry

HMV’s new digital download service, hmvdigital.com is sorry:

sorry.jpg

Their press release calls it ‘an improved digital download service’. I wonder how sorry it was before?

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Emm Gryner: Hello Aquarius

The opening minute from Emm’s album PVT is possibly the best opening minute from any album. Blissed out multitracked vocals, during which Emm just sings wordlessly over piano, bells and acoustic guitar. The song itself is, as one might then expect, a radically different version from that which appeared on Public. It is also far superior.

I think I might just listen to this every day for the rest of my life.

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Don’t Stream

There’s a video I’d like to share with you. It’s for a song I really like, which kept me awake at 4am this morning. But it’s only available as a stream, or to buy on iTunes – if you happen to be in the US. The stream is so abysmal that the video is unwatchable as a result, but the video adds facets to the song and the songwriter, enhancing the overall experience. One day this song will be a track of the day. But not today.

Making it a download, and sticking it on YouTube would be a great move, because YouTube have the technology to support the streaming requirements when more than one person is trying to watch the video. This attracts more people to the music.

Which is quite important when you run your own record company.

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Musicrecommenders

Musicrecommenders is a global music service to be launched by Nokia. “Masterminded” (and really I don’t have quotation marks big enough for that word) by media planning agency Naked and music strategy agency Frukt, and will initially offer downloads at 89p a track – 10p more than Apple’s iTunes – in the UK and Australia only.

According to MediaGuardian, the main aim is not to sell downloads. It’s main aim is to build a music brand and develop a community.

Okay. Excuse me whilst I have this puzzled look on my face.

Oh, right, I understand, it’s to get people to buy Nokia Phones instead of iPods, which aren’t phones. Yet.

This’ll be a giggle.

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Good Muses

Yesterday I received my copy of Tori AmosA Piano: The Collection, which I’ve yet to open. Today I got my signed copy of Emm Gryner’s new album The Summer of High Hopes, including the pre-order only PVT CD, which reworks many of the songs which had been stuck in ‘major label neverland’.

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Charlotte Martin: Four Walls

“Ashes to beauty, Rust in lust
Passion attempts, Misguided trust
Smoking your pack of trickery
Getting to love the little beast”

One of Mark’s recent posts discusses the rationale for memorising Scripture. John Piper reckons one of the reasons is to provide comfort and counsel to loved ones. It’s for this reason that lyrics to music are important to me. Not necessarily for how I can help others, but for what they mean to me.

Kristin Hersh will forever be my most loved lyricist. Afflicted by bipolar disorder since she was 14, her songs would visit her unannounced and fully-formed: one of the reasons that the early Throwing Muses work is so powerful. Their 1986 debut album includes Vicky’s Box, which contains the lyric “You may be dreaming / You may be bleeding / You may be in this box”. My absolute favourite collection of words of all time. And words that I recall at least every couple of days. Now look at the title of Charlotte’s song.

Four Walls taken from her new album Stromata released on her own Dinosaur Fight Records (also available on Veins) documents Charlotte’s attempt to help someone through depression over a rampant collection of breakbeats.

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