3
1

O
c
t
o
b
e
r

2
0
0
6

Goldfrapp: Ride A White Horse (Ewan Pearson Disco Odyssey Part 1)

You can zone in on the bassline, the zippy blips and sleighbells (or maybe they’re tambourines), or you can zone in on Alison’s vocals. Either way, they come together eventually. Because that’s when the magic starts – and you still have five minutes left.

Taken from the Mute cash-in We Are Glitter. For those late to the party.

[iTunes UK]
[Amazon UK]

3
1

O
c
t
o
b
e
r

2
0
0
6

When I’m gone

Seth Godin asks:

When you’re gone, will they miss what you do? It’s not too late to change the answer…

Here’s my simple answer: Yes.

But, it’s not about me. It never should be about me. It should be about you. Anyhow, why spend an entire life helping yourself, when there are billions of others you can help? The scope and opportunity outside yourself is far greater than it is inside.

3
0

O
c
t
o
b
e
r

2
0
0
6

MySpace Gone Wrong

According to Techcrunch, MySpace will announce today that they’re teaming up with Gracenote to help detect and block copyrighted music from being posted on member pages. Sounds like a good idea?

Well, there are three million bands on MySpace. I’d guess that most of them hold the copyright to their songs. What happens now? Do the bands lose the ability to post their own material? Or will they be able to ‘claim’ songs as their own, after no-doubt following a protracted verification procedure? Either way, watch MySpace utilisation fall.

3
0

O
c
t
o
b
e
r

2
0
0
6

Emily Haines and The Soft Skeleton: The Lottery

Emily’s riveting debut album Knives Don’t Have Your Back is a Dntel, Death Cab for Cutie, Thom Yorke hybrid, except with more piano. But there’s also a pervasive mid-70s Pink Floyd feel to the songs – The Lottery is a great example of this.

[Amazon UK]
[Pitchfork album review]

2
9

O
c
t
o
b
e
r

2
0
0
6

Armin Van Buuren featuring Justine Suissa: Simple Things

Wasted days, I’m caught up in the fruitless chase
Wanting more than anything that’s come before
And I wish I didn’t have to choose
When I know there is so much to lose

Cruel desires blind me to the simple things
Lost in fires of passionate imaginings
Cruel desires blind me to the simple things
Lost in fires of passionate imaginings

Simple things, simple things

Holding out, feeling that it just might come
Cursing doubt that keeps you from the perfect one
And I wish I didn’t have to choose
When I know there is so much to lose

Cruel desires blind me to the simple things
Lost in fires of passionate imaginings
Cruel desires blind me to the simple things
Lost in fires of passionate imaginings

Simple things, simple things

I’m torn between what I know and what I dream

[iTunes UK]

2
7

O
c
t
o
b
e
r

2
0
0
6

Music Guardian

With a little fanfare, especially early in the morning, when not much else is happening media-wise, Music Guardian launched today.

True, I hadn’t expected anything as extensive or indulgent as Stylus Magazine or my favourite: Pitchfork, but Music Guardian appears to be little more than re-hashed Guardian content. You can tell by the brevity of the album reviews, except when it comes to the most-important-album-of-the-week, which at launch is a sound deconstruction of Rudebox. Whilst Rudebox probably deserves 2 stars, it doesn’t deserve that length of review. If it’s poor tell it like it is. Quickly.

For the first six months, Music Guardian will be sponsored by Intel. And, boy, don’t you know it.

2
7

O
c
t
o
b
e
r

2
0
0
6

The Twilight Zune

There’s a Zune video. Watch it, and when you’ve woken up, decide whether you agree with these statements from Robert Scoble:

  • Box design: good. As good as iPod.
  • Look and feel and overall hardware quality: good. As good as iPod. I actually even liked the brown one a lot.
  • Screen: better than iPod.
  • Hard drive size: worse than iPod.
  • Features: mixed bag, we’ll get into that below.
  • Price: in the right neighborhood.
  • Marketing: unknown, but Apple has set such a high bar that I doubt Microsoft can even get close.
  • Software experience: unknown.
  • Updateability: better than iPod (if I were Apple I’d worry about this).
  • Conversationality: (Does it cause a conversation). Here Apple wins with the white headphones hands down.
  • Integration: beats the iPod cause it works with Xbox.

What I find interesting about this video is that whilst it says a lot about Zune, it says so much more to me about things other than Zune.

2
5

O
c
t
o
b
e
r

2
0
0
6

Oh Yyyeah

Joanna Newsom’s new album Ys is out in the UK on 6 November. Here’s the Amazon.co.uk review:

If the debut album from Joanna Newsom, 2004’s The Milk-Eyed Mender, suggested there was no-one in music quite like this elfin San Franciscan harpist, its follow-up Ys sees that gulf of difference become a universe of possibilities. Recorded by veteran engineer Steve Albini, with strings from Brian Wilson collaborator Van Dyke Parks and vocal contributions from Newsom’s current beau, Bill Callahan of alternative country miserabilists Smog, Ys is an altogether bigger, broader, more fantastical and more ambitious offering than its predecessor.

Only five tracks long, songs unfurl into grandiose narratives embossed with trumpet, violins, oboe, and French horn. But what’s truly impressive is Newsom’s extraordinary sense of command. On “Emily”, cutesy observations of birds taking flight (“the meadowlark and the chim-cho-ree”) blossom out into tales of falling meteorites, muddy-mouthed baboons and nautical adventures. Meanwhile, on the extraordinary “Only Skin” (which approaches 20 minutes in length) Newsom’s voice and plucked harp flourish in strange, complimentary patterns, her voice at times born up on dramatic trumpets and cooing oboes, or for one passage, shadowed by Callahan’s cobwebbed croak. It is testing in length, difficult to dip into, and not for those allergic to flights of fancy—but Ys is a magnificent achievement, one you suspect no one else on this planet could mimic, let alone challenge.

[Amazon.co.uk]

copyright ©2006 and so on, ninthspace.org, except quotations, lyrics and some images which are the rights of their respective holders