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Strange

The leakiness of information regarding Tori Amos’ forthcoming album, American Doll Posse, gathers pace. We have the first review (although it’s more of a description), and most lyrics. There are some audio snippets around too.

I will however be restraining myself on all counts, because an album isn’t supposed to be experienced in pieces. First impressions invariably influence your whole life’s experience of an album, so any of this will permanently damage my feelings about the album. You’ll gather from this that I don’t like lead singles from ‘album’ artists either.

Don’t believe me? I first listened to Rainbirds’ second album Call Me Easy, Say I’m Strong, Love Me My Way, It Ain’t Wrong when I was hopelessly drunk, although obviously not too drunk to forget that I listened to it. It’s never been quite the album I expected or hoped it would be.

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Gui Boratto: Terminal

The all important third track from Gui’s marvellous Chromophobia album. Important because it marks the start of the evolution towards the climax of the album. It picks up Orbital’s techno legacy, chucks half away, giving the remainder to a thousand electronic devices who break out the glow sticks in the Essex countryside.

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Corporate chattels

We try to buy the best quality we can afford. I’m a big believer in supporting good craftsmanship, elegant design, and thoughtful products. So I don’t mind spending more on something that I think it great than saving a few bucks on something crappy.

And when you don’t buy a lot of stuff you can invest more in the stuff you do buy. Spend money on things that matter: Computers, monitors, software/services, and chairs.

That’s Jason Fried writing in a 37signals post “What do you want to know?”. But it could so easily be us. We are constantly surprised by the spendthrift nature of most companies. After leaving university I worked for a large multi-national electronics firm, developing air defence and air traffic management systems. Uncomfortable chairs, second hand desks, non-existent filing facilities and no air conditioning. A great environment for developing mission-critical software. Two years passed and we eventually started on the long upgrade to good furniture (and masses of filing space for all of those oh-so-critical 2167A documents).

Following my move to Inverness, I was once again plummeted into the abyss of creaking furnishings. It was therefore an objective of ours never to experience this again with our own business. Unfortunately, many companies we deal with still don’t get this – work doesn’t just get done, it needs people. Ultimately they’re the only resource that brings value to a business, so it’s surely obvious to invest in the working environment.

One tiny parting anecdote: I bought the first model 15” Apple Studio Display. It cost me something like £1,800 back in 1998. I sold it after upgrading to future models. But guess what? We bought it back. It now sits happily in Mark’s office connected to something Unix-y. It still works.

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Regina Spektor: Fidelity

A track of the day. Again. In the same year. Well, yes, for two reasons: the first being that for most of last Saturday to this Tuesday, that slightly irritating 14 note vocal hook (round about the chorus) worked its way through my brain until I called it ‘genius’, whereupon it moseyed off into a corner, sat on a beanbag and made peace signs at me. The second that, if you’ve only heard this on the TV or radio, you haven’t really heard it. You need to experience it loud, close up and intimate. The production on this is simply amazing – crystal clear vocals and the most embracing, warm wraparound strings and piano I’ve listened to for a very long time.

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Three by Three?

Regular readers will note my obsession with 3” x 3” paper and its ability to solve all possible planning and scheduling issues. I keep blocks at my desk, my bed and in my lounge. Whenever a thought or idea comes to me I write it down, and daily schedules can be written on one sheet too. (If you can’t fit everything you need to do today on one sheet, you cannot do it in one day!)

Swissmiss points to Tom Seymour’s website, which showcases his various 3D design skills, including 2002’s Note Table:

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A table made of 5000 sheets of paper. Yum.

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Gui Boratto: The Blessing

Carl Craig’s Landcruising album begins and ends with the sounds of a car, the whole taking a night time cruise around Detroit. It contains in A Wonderful Life, one of only two techno tracks that I’d play at a funeral. My funeral. Until now.. because now, I have another 13.

Brazillian DJ Gui Boratto’s debut album Chromophobia, on Kompakt, virtually destroys and rebuilds the concept of minimalist music. It demonstrates throughout its 13 tracks a gradual growth from clicks and blips, gently bringing in electric and acoustic instrumentation, culminating in the staggering euphoria of track 10, Beautiful Life.

It is nothing short of remarkable. Trouble is, you won’t feel the album properly unless you listen to it on good equipment. The blips won’t pulse the way they should, and the bass won’t fill your heart with joy. You need to sit in the middle of this, immerse yourself and cry.

[Beatport]
[Stylus Magazine Review]

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Transitions

I don’t remember what happened when I upgraded from Mac OS 9 to Mac OS X. It just worked. Plus, Mac OS X had its compatibility layer (aka Classic) for slow-transitioning applications and hardware. That was back in March 2001.

Why all the hassle with Vista?

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Cerf and Mitiska featuring Jaren: Light The Skies (Retrobyte’s Classic Electrobounce Mix)

One week away travorking – travelling and working. No time to listen to music except on the journeys to and from a customer. Still, eight hours of trance on the way there and back was nice, and this gorgeous track popped up both times.

Which probably explains why I’m listening to Mike Oldfield today.

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