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Music 2007

I’m not about to reveal my favourite albums of 2007 – these will take their usual leisurely time to appear and once again include albums that weren’t released this year. Nor am I going to reflect on specific music – it’s all in this blog anyway.

Instead just a simple acknowledgement of how the community around last.fm can do wonders. I’d like to thank all my last.fm friends and especially undrentide72 and jadedingenue for prodding me in the direction of new music. This is a roundabout way of thanking Hannah Fury for revitalising my love of music and teaching me to feel every note and every word, to wear each song and to continuously dig for more. Each listen bringing new discoveries.

It’s no coincidence that 2007 also saw more growth in the democratisation of music – bringing artists and fans closer together. Kristin Hersh and L7’s Donita Sparks launched CASH Music, Trent Reznor split from Universal/Interscope and Radiohead did their thing with In Rainbows (which in its brief ‘pay whatever you want’ run netted the band more income from digital sales than all their previous albums put together.)

Music is only the start. Direct connections between providers and consumers will grow throughout 2008. Distributors of content and the physical stores associated with them should be very afraid.

I have few expectations for music of next year, apart from a regular arrivals of something from Kristin Hersh. Surprise me! However, I live with the hope that Butterfly Boucher will release her second album, probably named Scary Fragile, early in 2008. The Breeders have Mountain Battles scheduled for release in March and Rochdale’s electronic duo Autechre should release Quaristice in April. Goldfrapp will release Seventh Tree in February, but I think most people who care will have heard it already given it leaked in November. See above. There’ll also be albums from Terami Hirsch and her tantalising side project Story Of My Ghost.

I also want more stuff from Ayria and from fellow Canadian Emm Gryner (will happen), I want Sleater-Kinney to reform (won’t happen), I want Electrelane to reform (might happen), I want to receive my Pretty Balanced albums. And finally, I want George Pringle to release something. Yeah, okay I might be a year late here and I know I can get hold of Carte Postale and I can listen to her tracks on last.fm or MySpace and I know that Poor EP, Poor EP Without a Name is due out in March, but still. All this waiting just sucks.

And I want musicians to start blogging properly. This means not using MySpace or Facebook – ‘cos that’s like trying to paint the Mona Lisa on the back of a beermat, when you’re in a pub full of strangers. Oh, and private blogs are so bizarre, so they don’t count either. No, I mean a proper regularly updated blog with music and photos and comments. For everything. None of this separation of news from other content. It’s all the same. It’s all about engaging with your audience.

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Tech 2007

Inevitably the iPhone is my product of the year. I thought I was possibly overstating its importance when I wrote about it early in 2007, but I think I underestimated its impact on my life. It now travels everywhere with me. I read more blogs than I used to thanks to Google Reader’s iPhone interface. I also have reduced stress when it comes to work because I know that I can keep in contact with clients and the office regardless of location. All the iPhone really needs to be complete is a keychain mechanism for passwords and a Terminal application. If Apple doesn’t provide them, you can be sure that third parties will once the SDK is released.

One of the things I promised to do when getting the iPhone – indeed it was part of the cost justification – was to stop subscribing to newspapers. Blogs and RSS feeds provide more direct and timely access to information and comment than newspapers can and, unless you want it, without the ludicrous headlines:

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With blogs and shared feeds everyone can gather, write and broadcast their own news. Yes, I only thought that physical newspapers were dead. I was wrong. More on this next year.

When it comes to my work, my long term dependency on jEdit ended with the launch of Panic’s fabulous Coda. But then things went weird and I ended up back with TextMate with which I had previously dabbled on a number of occasions. Apple finally released Mac OS X 10.5 later than scheduled. Time Machine, Spaces and under the hood improvements to memory management make it an essential purchase. Agile web development framework Ruby on Rails reached version 2, whole heartedly embracing RESTful development and in the process making application development even easier.

Organisational tool Remember The Milk launched two great services this year: integration with Google Mail, so you can link Mail with Tasks and write stuff like “Call George next Thursday,” and a great looking (and working) iPhone client. These two things made me switch from Apple Mail to Google Mail and ditch my various other attempts at time management.

Support for offline web applications is growing. Google Gears (PC World’s innovation of the year) is available for Firefox and can be built for Safari. If and when Safari officially gets Gears support, I’ll expect to see more web services to support offline access. There’s irony here: a fair number of service providers (including Google, Amazon and Facebook) now have iPhone versions of their products, targeted towards EDGE and GPRS network speeds. JetBlue has launched WiFi access in its planes. Yes, just as technology is being provided to support offline access of applications, we’re getting to the stage where offline access is becoming less necessary. Just as I predicted.

Now time for some predictions for next year. The iPhone will continue to dominate, um, everything. Besides this, software as a service will grow more popular. With the recent introduction of Amazon’s SimpleDB, Amazon now provides all that’s required for scalable, reliable web architectures. Many providers already use one or more of their services. RightScale assists this further by providing management tools. If this seems too scary there are integrated development and hosting services such as Heroku. I desperately need (and want) to start playing with this stuff.

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The Music 2007 (tracks 10-1)

Links to iTunes where available.

10Junkie XLMore (Matthew Dekay Remix)
 

The aural equivalent of falling half drunk into a nightclub, stumbling up to the bar, then discovering that they only sell double espresso. In either its original or remixed form, not a track to take home to your parents.

9The Birthday MassacreWalking with Strangers
 

For some The Birthday Massacre’s second album may be too shiny and sparkly. The title track recognises and exploits this; it grabs handfuls of attitude and euphoria, comes sauntering up to you and screams in your face.

8Regina SpektorFidelity
 

Oh how I hated the vocal gimmick first time round. Then I heard the song properly and fell in love with the bassline, especially when it overlaps the piano.

7Tina DicoMy Business
 

All of Tina’s songs read like diary entries. Nothing she’s written is as affecting as this song of friendship. The tune is gorgeous.

6RobynWith Every Heartbeat
 

Yes I know we first heard this in 2006, but this is the song that re-broke Robyn in the UK. Let’s face it, it’s pretty remarkable. Kleerup’s string break still sounds incredible in the context of a pop song, as are Robyn’s lyrics. And that video.

5Hannah FuryYou Don’t Leave A Trace
 

A song of ultimate rejection, rendering a (perhaps unrequited) relationship, into insignificance, even as it staggers on. But within the indifference, there’s desire, care and hope. You can take Hannah’s songs at face value, or recognise them as multi-faceted gems – full of contrary emotions, whose meanings change with almost every listen.

4Conjure OnePilgrimage
 

Almost an incidental, starting as it does with slow grinding, muffled drums and a calming pad, piano, vocal combo. But then a key change signals more. Sure enough the track then moves smoothly into epic house.

3Hannah FuryGirls That Glitter Love The Dark
 

The key to loving this song is not the imagery or the piano work, or the haunted vocals, but the space inside the song. The breaks between the words, the echoes of alliteration, of stop consonants. Parts of this track make me laugh or smile because of its genius.

2Kristin HershSlippershell
 

I’ve been listening to Kristin’s music for nearly 21 years. This is one of her best. It melds everything she’s done in that time – Throwing Muses, her solo work and 50 Foot Wave – into one explosive song which reflects the various phases of her career and builds on what she did with Learn to Sing Like a Star.

1Milan LieskovskyElenya (Introida Remix)
 

Officially number 109 in A State of Trance’s listeners’ votes for 2007 I kid you not. This pretty and progressive track uses tiny toms to carry its melody, then just when you think that’s it, adds a monumental break, an organ smear and sharp attacking keys to lift it further. Proof that less is more. I’m still hoping for an official release.

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The Music 2007 (tracks 50-11)

It’s taken me four years to come up with a fairly foolproof way of rating my tracks of the day. Previous years were more of an ad-hoc snapshot of what I liked at the time of preparing my charts. This year’s fairly geeky way involved scoring on melody, arrangement, lyrics and vocals – compensating for those that don’t have lyrics and/or vocals – then a general bonus. After some patent-pending manipulation of the individual scores here’s the first batch. As per usual, no actual scores, just where they came in my list.

50My Brightest DiamondThe Good & The Bad Guy
49ConelradSarcophagus
48Throwing MusesThe Visit
47Client6 In The Morning
46Manic Street PreachersYour Love Alone Is Not Enough
45Hayley WestenraPrayer
44Sleater-KinneyOh!
43Claudia BruckenUnforgiveable
42Billie Ray MartinTwisted Lover (Old Version)
41Ernesto vs BastianThrill
40Lisa GermanoTurning Into Betty
39Lisa GermanoIn The Maybe World
38Charlotte MartinFour Walls (Live)
37Saint EveFrame of Mine
36Story of My GhostCheckerboard
35MiNaPraying Mantis
34Tanya DonellyMoonbeam Monkey
33Tori AmosRoosterspur Bridge
32Hannah FuryWhere The Wounds Are
31Hannah FuryYou Had Me
30Kylie MinogueToo Far
29ElectrelaneSuitcase
28Little DragonScribble Paper
27Kristin HershPoor Wayfaring Stranger
26Joanna NewsomColleen
25Fiona AppleLimp
24CatchersSong for Autumn
23Hannah FurySweet Heart
22Lizette &Breathe
21Kristin HershWild Vanilla
20Hannah FuryFlying
19Tori AmosBouncing Off Clouds
18Dash BerlinTill the Sky Falls Down (Vocal Mix)
17Anna NalickBreathe (2 AM)
16LunikNew Day (Live)
15Hannah FurySomeone Speaks Softly
14EisleyOne Day I Slowly Floated Away
13Róisín MurphyYou Know Me Better
12Tina DicoOn The Run
11Margaret BergerSamantha

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Sweet

Seth Godin strongly believes – and he’s right – that every time you interact with a customer you’re marketing.

But marketing goes further than this. Everything you do which affects others (people, companies, your pet dog), is marketing.

When I worked at Siemens, I used to give sweets to members of my software development team. Sometimes I gave them, sometimes I let people choose, sometimes I threw them. I had no favourites – everyone got them. Each method of delivery was a subtle hint. My team members rightly took these a little ‘thank you’ messages, but I was also marketing myself.

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The purpose of Fun

Few companies that I worked at understood that Fun was important. I think smaller companies are more guilty of this error than larger ones. Fun is considered an incompatible companion to Work. (In the same way that Beer and Pub are.) But the truth is Work requires Fun. Fun is where you find things about yourselves, others and solve problems, come up with ideas and generally innovate.

Still, I caught myself reading a recent blog from Last.fm about their new ballpit and thinking “so that’s what my subscription gets spent on!” (It wasn’t, by the way, which is somewhat disappointing.)

A follow-up post describes how they actually built their ballpit. It took them 19 hours from planning to completion – and it’s quite a ride.

You’ll never get that in a company that doesn’t do Fun.

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Hannah Fury: Flying

My last track of the day for this year.

There are some musicians who lay their lives down over a piano, then inexplicably destroy that relationship by introducing other instruments – usually guitars. I’ve said it before, but perhaps not as explicitly: the piano is the most extraordinary musical instrument created. Learn it well and it’s probably all you need to express your musical desires and your emotions. I yearned for years (decades?) for an artist to come along who understood this, but without the technical burden (and constraints) of actually being taught to play. Self-discovery is so much more thrilling. You can here this in Flying.

Flying comes from 2003’s I Can’t Let You In single. An instrumental piece created for Chris Ohlsen’s film 824, its strength comes from its ability to sound simultaneously composed and improvised. Runs of notes turn into pounding chords, then break up and disperse. Hooks and other motifs disappear and reappear almost by chance. There’s the brief tentative opening sequence, and a pause, just milliseconds too long, before the second phase of the piece gathers confidence. This darts around before casually returning to the main theme of the song – more delicate than previously heard. And we’re only half way through.

As for the rest? Well, you know the drill:

I Can’t Let You In – Antoinette’s Revenge (Store)
Hannah Fury

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Weekend Players: Into the Sun

Weekend Players was a one-off project featuring Groove Armada’s Andy Cato and vocalist Rachel Foster. Their 2002 album Pursuit of Happiness was met to some acclaim: allmusic calls their music ‘sleek’ and ‘breezy’. Into the Sun is warm and inviting – despite its proto-Ibiza predictability and repetitiveness. Whatever it does, however, it does beautifully.

Pursuit of Happiness – iTunes UK (Partial Album)

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