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Gus Gus: Moss

Last year’s Forever album continues the Icelandic band’s electronic ecleticism, but as a complete work it’s not nearly as successful as their previous albums.

Moss is lead by chorused filtered keys and well matched with a squelching bassline and basic drum patterns, giving an understated progressive house feel. Together they provide a solid foundation for Daníel Ágúst’s relaxed vocals. Nicely placed key changes are all that’s ultimately required to make the song work.

Forever – iTunes UK
Forever – Amazon UK
Gus Gus – Official Website

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Coburn featuring Heidrun: Razorblade (Play Paul Vocal Club Mix)

Continuing my journey into vocal electro house, which I think I’ll shorten to velectro in future, Coburn’s Razorblade features a buzzing bass and stepping phased lead. Heidrun’s glacial vocals – who’s clearly been listening to too much Donna Summer, if that’s possible – help turn this minimal track into something like happy electro-industrial. I Feel Love via. Cybotron’s Eden?

iTunes UK
Official Website

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Kristin Hersh: Torque

Recorded during the recent 50 Foot Wave recording session, Torque merges (twists?) two miniscule life stories of awaiting rescues. The song borrows the emotion of The Grotto and pairs it with not the strident strings of the McCarricks, but Victor Lawrence’s warmer cello. Rob Ahler’s drums crash and boom sparingly, like all understated drums should do, and Kristin’s guitars fuzz nicely due to Mudrock’s production. Like many of Kristin’s songs on The Grotto, this one appears to end half-finished, leaving the listener abandoned and lonely – which it should do. Awaiting rescue.

Torque

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Music 2007

I’m not about to reveal my favourite albums of 2007 – these will take their usual leisurely time to appear and once again include albums that weren’t released this year. Nor am I going to reflect on specific music – it’s all in this blog anyway.

Instead just a simple acknowledgement of how the community around last.fm can do wonders. I’d like to thank all my last.fm friends and especially undrentide72 and jadedingenue for prodding me in the direction of new music. This is a roundabout way of thanking Hannah Fury for revitalising my love of music and teaching me to feel every note and every word, to wear each song and to continuously dig for more. Each listen bringing new discoveries.

It’s no coincidence that 2007 also saw more growth in the democratisation of music – bringing artists and fans closer together. Kristin Hersh and L7’s Donita Sparks launched CASH Music, Trent Reznor split from Universal/Interscope and Radiohead did their thing with In Rainbows (which in its brief ‘pay whatever you want’ run netted the band more income from digital sales than all their previous albums put together.)

Music is only the start. Direct connections between providers and consumers will grow throughout 2008. Distributors of content and the physical stores associated with them should be very afraid.

I have few expectations for music of next year, apart from a regular arrivals of something from Kristin Hersh. Surprise me! However, I live with the hope that Butterfly Boucher will release her second album, probably named Scary Fragile, early in 2008. The Breeders have Mountain Battles scheduled for release in March and Rochdale’s electronic duo Autechre should release Quaristice in April. Goldfrapp will release Seventh Tree in February, but I think most people who care will have heard it already given it leaked in November. See above. There’ll also be albums from Terami Hirsch and her tantalising side project Story Of My Ghost.

I also want more stuff from Ayria and from fellow Canadian Emm Gryner (will happen), I want Sleater-Kinney to reform (won’t happen), I want Electrelane to reform (might happen), I want to receive my Pretty Balanced albums. And finally, I want George Pringle to release something. Yeah, okay I might be a year late here and I know I can get hold of Carte Postale and I can listen to her tracks on last.fm or MySpace and I know that Poor EP, Poor EP Without a Name is due out in March, but still. All this waiting just sucks.

And I want musicians to start blogging properly. This means not using MySpace or Facebook – ‘cos that’s like trying to paint the Mona Lisa on the back of a beermat, when you’re in a pub full of strangers. Oh, and private blogs are so bizarre, so they don’t count either. No, I mean a proper regularly updated blog with music and photos and comments. For everything. None of this separation of news from other content. It’s all the same. It’s all about engaging with your audience.

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The Music 2007 (tracks 10-1)

Links to iTunes where available.

10Junkie XLMore (Matthew Dekay Remix)
 

The aural equivalent of falling half drunk into a nightclub, stumbling up to the bar, then discovering that they only sell double espresso. In either its original or remixed form, not a track to take home to your parents.

9The Birthday MassacreWalking with Strangers
 

For some The Birthday Massacre’s second album may be too shiny and sparkly. The title track recognises and exploits this; it grabs handfuls of attitude and euphoria, comes sauntering up to you and screams in your face.

8Regina SpektorFidelity
 

Oh how I hated the vocal gimmick first time round. Then I heard the song properly and fell in love with the bassline, especially when it overlaps the piano.

7Tina DicoMy Business
 

All of Tina’s songs read like diary entries. Nothing she’s written is as affecting as this song of friendship. The tune is gorgeous.

6RobynWith Every Heartbeat
 

Yes I know we first heard this in 2006, but this is the song that re-broke Robyn in the UK. Let’s face it, it’s pretty remarkable. Kleerup’s string break still sounds incredible in the context of a pop song, as are Robyn’s lyrics. And that video.

5Hannah FuryYou Don’t Leave A Trace
 

A song of ultimate rejection, rendering a (perhaps unrequited) relationship, into insignificance, even as it staggers on. But within the indifference, there’s desire, care and hope. You can take Hannah’s songs at face value, or recognise them as multi-faceted gems – full of contrary emotions, whose meanings change with almost every listen.

4Conjure OnePilgrimage
 

Almost an incidental, starting as it does with slow grinding, muffled drums and a calming pad, piano, vocal combo. But then a key change signals more. Sure enough the track then moves smoothly into epic house.

3Hannah FuryGirls That Glitter Love The Dark
 

The key to loving this song is not the imagery or the piano work, or the haunted vocals, but the space inside the song. The breaks between the words, the echoes of alliteration, of stop consonants. Parts of this track make me laugh or smile because of its genius.

2Kristin HershSlippershell
 

I’ve been listening to Kristin’s music for nearly 21 years. This is one of her best. It melds everything she’s done in that time – Throwing Muses, her solo work and 50 Foot Wave – into one explosive song which reflects the various phases of her career and builds on what she did with Learn to Sing Like a Star.

1Milan LieskovskyElenya (Introida Remix)
 

Officially number 109 in A State of Trance’s listeners’ votes for 2007 I kid you not. This pretty and progressive track uses tiny toms to carry its melody, then just when you think that’s it, adds a monumental break, an organ smear and sharp attacking keys to lift it further. Proof that less is more. I’m still hoping for an official release.

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The Music 2007 (tracks 50-11)

It’s taken me four years to come up with a fairly foolproof way of rating my tracks of the day. Previous years were more of an ad-hoc snapshot of what I liked at the time of preparing my charts. This year’s fairly geeky way involved scoring on melody, arrangement, lyrics and vocals – compensating for those that don’t have lyrics and/or vocals – then a general bonus. After some patent-pending manipulation of the individual scores here’s the first batch. As per usual, no actual scores, just where they came in my list.

50My Brightest DiamondThe Good & The Bad Guy
49ConelradSarcophagus
48Throwing MusesThe Visit
47Client6 In The Morning
46Manic Street PreachersYour Love Alone Is Not Enough
45Hayley WestenraPrayer
44Sleater-KinneyOh!
43Claudia BruckenUnforgiveable
42Billie Ray MartinTwisted Lover (Old Version)
41Ernesto vs BastianThrill
40Lisa GermanoTurning Into Betty
39Lisa GermanoIn The Maybe World
38Charlotte MartinFour Walls (Live)
37Saint EveFrame of Mine
36Story of My GhostCheckerboard
35MiNaPraying Mantis
34Tanya DonellyMoonbeam Monkey
33Tori AmosRoosterspur Bridge
32Hannah FuryWhere The Wounds Are
31Hannah FuryYou Had Me
30Kylie MinogueToo Far
29ElectrelaneSuitcase
28Little DragonScribble Paper
27Kristin HershPoor Wayfaring Stranger
26Joanna NewsomColleen
25Fiona AppleLimp
24CatchersSong for Autumn
23Hannah FurySweet Heart
22Lizette &Breathe
21Kristin HershWild Vanilla
20Hannah FuryFlying
19Tori AmosBouncing Off Clouds
18Dash BerlinTill the Sky Falls Down (Vocal Mix)
17Anna NalickBreathe (2 AM)
16LunikNew Day (Live)
15Hannah FurySomeone Speaks Softly
14EisleyOne Day I Slowly Floated Away
13Róisín MurphyYou Know Me Better
12Tina DicoOn The Run
11Margaret BergerSamantha

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Ernesto vs. Bastian: Thrill

Ernesto vs. Bastian are the Dutch duo responsible for 2005’s Dark Side of the Moon – a track which I found mildly interesting on first listen but which quickly became tedious.

Thrill is their new creation, released to the world on 21 January 2008. If you recoil at the brain numbing spiralling synth line from 1990’s The Age of Love, you’ll probably do the same for the hooks in this vocal-less trance track. The best I can come up with for these is what you get when you stick a slap bassline and an acid drone in a blender. One might be enough, but this track overlays them. And just when you can’t handle it any more a blue elegiac pad arrives to temper the situation. However this respite is short-lived.

Ernesto vs. Bastian

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Liz Tormes: Maybe You Won’t

Probably the best kept secret of 2007, if the number of listeners on Last.fm is anything to go by. Liz Tormes ‘rocks’ according to her website, but if she does, she does so in the most understated way.

Crossing the boundaries between alt-country, first-generation Cowboy Junkies and Mazzy Star, plus the aforementioned rockisms – subtly blending noisy fizzing guitars with their acoustic neighbours, plus piano and organ, her songs and her voice are warm and inviting.

Maybe You Won’t comes from her self-produced and self-released debut album Limelight. It features vocals from Teddy Thompson and cuts back the instrumentation to drive the rhythm and hint at the melody which is carried by Liz and Teddy’s voices.

Liz Tormes’ website
Limelight – iTunes Plus UK
Limelight – CD Baby

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